The codes of music theory have become the most fruitful subject of my work.  Tone poems (or graphical scores) 
can be interpreted and played by the viewer’s eye and musician’s instrument. Specific arrangements of tones, space, 
color and time can be used as rhythmic rituals influencing internal and external spaces; the modern research of 
synesthesia proves that our senses are intertwined. I ally and collaborate with contemporary artists who recontextualize
mediums in gallery, club and theatre settings.  In this light, I am a performer, composer and painter looking to 
refresh perspectives on color, sound, rhythm, and ritual/performance for myself, those I collaborate with and the audience.   
		  
For more information, feel free to contact me.


To see/hear more of my works visit:


The 12 Tones Project (Working Archive)